Library of Congress Photo Archive on Flickr

The Library of Congress is piloting a Flickr project. A ton of their glorious images are up on Flickr. Copyright free! Go browse now.
Labels: amazing webthings, monkeys, monkeys in drag
In which genteel ladies of keen sensibilities and valiant gentlemen of insightful wits endeavor to share something of their inner musings with an adoring and insatiable public.

Labels: amazing webthings, monkeys, monkeys in drag
Also Jacko. [a. F. jocko, erroneously made by Buffon out of engeco, properly ncheko, the native name of the chimpanzee in the Gaboon country, West Africa.]
The chimpanzee; sometimes used as a familiar name for any ape (perh. influenced by Jack or Jackanapes).
[1625 BATTEL Angola in Pinkerton's Voy. XVI. 332 The largest of them is called Pongo in their language, and the other Engeco. 1766 BUFFON Hist. Naturelle (1837) III. 590 Jocko, Enjocko, nom de cet animal a Congo, et que nous avons adopté. En est l'article que nous avons retranché.] 1777 P. THICKNESSE Year's Journey II. xl. 68 My monkey..rode postilion upon my sturdy horse... Jocko put whole towns in motion. 1778 Ibid. (ed. 2) II. xlv. 106, I have seen an animal of the Jocko kind, when chained to a spot, contrive to get his food, which was out of his reach, by an address which many human creatures would have perished for want of abilities to put in practice. 1847 SAVAGE in Boston Jrnl. Nat. Hist. V. 422 Their local name for the Chimpanzee is Enche-eko, as near as it can be anglicised, from which the common term Jocko probably comes. [1861 P. B. DU CHAILLU Equat. Africa xx. 359 In the Gaboon country the Chimpanzee is called Nshiego, in the interior it is known as the Ncheko. Ibid. 362 The Chimpanzee is called Engeco by Battel, 1625;..Enjocko, Jocko, by Buffon, 1766; Inchego, by Bowdich, 1819; Enche-eco, by Savage, in 1847; Ntchego, by Franquet, in 1852; Nchego, by Aubry Lecomte, 1854-57; most of which are variations again of the Camma name, which, according to our English mode of spelling, should be, as I have given it, Nshiego..the negro name for the true Chimpanzee.] 1863 HUXLEY Man's Place Nat. i. 14 Thus it was that Andrew Battell's ‘Engeco’ became metamorphosed into ‘Jocko’, and, in the latter shape, was spread all over the world, in consequence of the extensive popularity of Buffon's works.DEVO: "Jocko Homo"
Labels: DEVO, Jackanape, Jacko, Jocko, Jocko Homo

Labels: drunken monkey, Jocko, monkeys, NYT archive
Labels: Jocko, monkeys, NYT archive
TOTAL DEPRAVITY IN NEW-YORK
Scenes Inside a Notorious Resort Near "Murderers' Block."
A Queer Bar-room, a Wretched Show Above-Stairs, a Stupid Dance, Hideous Music--The Character of the "Guests"--Men of Position and "Respectability" Among Pugilists, Thieves, Gamblers, &c.--A Wretched Spectacle.
(c) New York Times
February 5, 1871, Wednesday
When sauntering through that portion of Houston-street which fringes the locality renowned as "Murderers' Block," I have often been attracted by one of the most ornate street lamps I have ever seen in any city, surmounting a most dilapidated door. The curiosity naturally created by the lamp being whetted to a keen edge by the information imparted by the policeman, who is always to be found on the adjacent corner, except when there is some breach of the peace in his neighborhood requiring his services, that "HARRY'S is a high old place," I was tempted awhile ago to fathom the mysteries hidden behind the cracked and wheezy walls from which the incongruous lamp projected. Thieving on the premises, I was told, was something "HARRY couldn't afford, and wouldn't allow, no how."
THE QUEEREST OF BAR-ROOMS
Thus reassured, I pushed back the door and entered to find myself in the queerest bar-room I had ever seen. I am not tall, but standing on tip-toe I could have easily touched the dingy ceiling with the point of my finger, but I didn't do so, partly for fear of the dirt, and partly for fear of exciting comment. The floor under my feet was unmistakably ancient, for it was composed of wide boards which had been worn into ridges by long use. The walls, which matched the ceiling as to cleanliness, were garnished with bills announcing a forthcoming benefit to one PATSY SHEPPARD, who was declared to be "famous," with several points of celebrated horses; but the principle embellishment was an engraving representing the "Great International Contest between HEENAN and SAYRES, at Farnborough, April 17, 1960," of which the most striking feature was the fact that of the hundreds of respectable gentlemen represented as viewing that exhibiion of modern savagery, only those on one side of the ring were looking at the athletes, while all the others stared persistently at the spectators of the picture. Turning from these decorations to the bar, I found it an odd compound of flashiness and solidity, with considerable originality thrown in as a balance. At one end were barrels, arranged in the old tap-room style, in the centre were cut-glass decanters of marvelous showinness, and at the upper end was nothing but odds and ends of every description of rubbish. This portion of the counter was further decorated by an arch of wood labeled "ticket office above the orifice. Rightly judging from this fact, that I had only arrived at the threshold of this curious place, I found upon inquiry that there was "show upstairs." Depositing the demanded twenty-five cents, I received a very greasy ticket which I left with an equally greasy gentleman at the head of a rickety stairway which I had reached by penetrating from the bar-room into a smally and grimpy room at its rear.
SCENES ABOVE STAIRS
The ticket-taker, of suspicious exterior, having said, "Show ain't on yet," I sat down at a table and looked about me, after having ordered a glass of beer, as a consequence of a girl hovering about me with a suggestive tray. The place bore no resemplance to the queer bar-room below, but it was much odder in its way. It was a large square room with a long arm reaching off on one side, and it was plain that the whole establishment had been recently renovated. In one corner was a small stage of semicircular form, flanked by a balcony, on which were a number of men who were called "a band," and who presently gave forth excruciating sounds, which I found it was the custom of the place to consider music. Opposite to the stage was an open furnace which had its purpose declared by the short counter adjoining, on which oysters were piled, and behind which stood a man dividing his time between taking those bivalves from their shells and teasing the most attenuated monkey I ever met with a false offer of a banana. Vis a vis with the oyster counter was a bar, with all the glitter of the most modern fashion, and this with numerous small tables and common oak chairs, make up the appurtenances of the dance-house, which was brilliantly lighted by gas-burners pendant from the ceiling, and the walls of which were decorated with cheap prints and uncouth rhymes inviting the visitors to free indulgence in the solaces of the place. There were also some precepts of politeness prominently displayed, the most prominent being: "Gentlemen are requested not to smoke when dancing with the ladies." I inferred that the highest breeding had not preceded me upstairs, which inference was presently strengthened by observing that the gentlemen did smoke while dancing with the ladies, notwithstanding the notice. Having made a general acquaintance with the room, I looked to its occupants, and at this moment, fortunately, HARRY himself took a seat at my table, and, mutual self-introductions following, I was able, with his help, to soon get on intimate terms with my surroundings. It was yet early in the evening, but there were about twenty women seated at the different tables, who were, I learned, the guests of the house, as they came in free by a private entrance from Houston-street. Some were jaded and worn with rough usage of years, and others seemed in the bright bloom of budding womanhood; but, although decorous in language and behavior, all had the indefinable sigh that proclaimed them forsaken by the respectable of their sex. In this fact I found the secret of the bar and oyster counter, of the stage and the exasperating band; all were there to attract the forlorn night wanderers of the thoroughfares, excluded from reputable places of amusement, and they in turn attract the men who pay the piper. Even at an early hour of a stormy night there are dozens of these sitting at the tables with the women, smoking and drinking, whom I know from their appearances claim to be reputable members of society, and most of whom would stoutly deny, out of doors, that they had ever been seen in such a place as this. As a ruse to draw out my host, as HARRY had by this time become, I express the opinion that his place is patronized chiefly by professional athletes, gamblers, or something worse, and am not surprised at his peremptory denial. Those fellows, he says, ain't worth standing room to the house, as a whole, except as they help to attract men in reputable pursuits. "HARRY" runs through all the professions, the mercantile and manufacturing world, as furnishing the basis of his prosperous business. Heads of great business houses, leading members of the liberal professions, bank and insurance officials, he declares to be occasional patrons, bu t the bulk of his customs is from the clerks on meagre salaries, who have little money, but less brains. Nobody comes to New-York, I am informed, without seeing the lion supposed to be couchant in places of vile resort, and no stranger comes to this particular lair without leaving some of his money behind him. There is a fascination to the average of mankind in meeting pugilists, gamblers and thieves in the company of questionable women, so I am not amazed at nor prepared to question the general facts advanced.
A SENSIBLE MONKEY
If I had been incredulous, my evening in the dance-house would have ended in conviction, besides bringing me, as it did, in contact with many curious facts and people. As I still sat and smaked, a young man of remarkably gorgeous apparel, whom I soon found to be a bank-clerk, approached me to express his conviction that the attenuated monkey, whose gyrations he had been profoundly contemplating, had more sense than he had. I had no sooner given my cordial assent to this proposition that the clerk proceeded to justify it by calling up a number of strangers to drink at his expense to the health of the monkey, now perched on picture over the bar, and looking with profound contempt at his eulogist. I came myself to have great respect for that monkey before the night was gone, for a dish of boiled eggs being put temptingly within his reach for him to delight the clerk and others by stealing one of them, he absolutely refused to gratify them by an exhibition of dishonesty. Further than that, he declined some proffered whisky with evident disgust, and finally coiled himself up under the oyster furnace, and went to sleep, as the most effective method of being rid of his disreputable company. It would have been to the credit of the bank clerk, and the scores of others infesting the dance-house, if they had followed the monkey's example and gone off to their beds. But not only neglecting so to do, they became more maudlin as the night advanced, and entered with greater zest into the rankness of the place, which was the real attraction.
THE "SHOW"
The stage performances went on regularly without anybody paying the slightest attention to them. A man who had apparently "crooked the pregnant hinges of the knee" until they had refused to ever by straight again, waddled out and croaked what was announced as "a comic song by the great American buffo," but nobody heard it....
Labels: couchant, monkeys, NYT archive